Monday, August 17, 2009

Practice Log - 8/17/09 | Part I

Warm Up:

  1. harmonics on alto sax with tuner + metronome @ 60bpm
    10 min
  2. long tone exercise on alto sax with tuner + metronome @ 60bpm
    5 min
  3. harmonics on soprano sax with tuner + metronome @ 60 bpm
    10 min
  4. long tone exercise on soprano sax with tuner + metronome @ 60bpm
    5 min

Sunday, August 16, 2009

Practice Log - 8/16/09 | Part II

I didn't get to work on technical stuff today. But, one thing I did get to work on is "ear training" of sorts and general musicianship.

Today I had a duet performance with blues/jazz artist Gail Storm. We played 3 sets together, with the overwhelming majority of the tunes being ones that neither her nor I have ever done before. It was a great exercise in listening and making sure to do what's needed, musical, and appropriate for each tune specifically, and the gig in general. The tunes that we did that I had zero familiarity with encompassed about 2 hours worth of material.

So, even though I don't normally consider a gig as a practice session, I will consider this one to be a practice session simply because it was really a good work out for my ears, understanding of music harmony and theory, and general musicianship.

Practice Log - 8/16/09 | Part I

I have realized that I've been rather naughty by not posting my practice routine in a bit. No excuses other than I've been too lazy to bring my laptop down to my practice room with me and then bring it back upstairs to my home office and internet connection.

So anyway, here's what I've done for this morning:

Warm Up:
  1. harmonics on alto sax with tuner + metronome @ 60bpm
    10 min
  2. long tone exercise on alto sax with tuner + metronome @ 60bpm
    5 min
  3. harmonics on soprano sax with tuner + metronome @ 60 bpm
    10 min
  4. long tone exercise on soprano sax with tuner + metronome @ 60bpm
    5 min

Wednesday, August 12, 2009

Getting Together In Style!

It may only be once a year, but when I get together with a couple of my cousins and my uncle, we do it in style!

I've mentioned several times in the past that I come from a musical family...actually, the arts in general run strong in my family. Well, above this paragraph you see a photo (courtesy of a fan named Lynda Maniscalco) of my family band known as "The Latimer Experience", which is made up of (from left to right): My cousin Andre Latimer, my uncle Isham Latimer, my other cousin Emile Latimer, my two friends Glenn Palermo and Bill Titus on bass and guitar respectively, and of course me.

Yesterday we completed the last of two performances that I had booked for us this year. It's always such a kick for me to see how the audience reacts to what we have to offer, which is essentially 2 sets of purely improvisational music based on African and Latin drum rhythms, and perhaps 1 or 2 jazz standards thrown into the mix. What a great time we had! There is only one negative thing.

We had always wanted to get a good recording done of us while we are all still around and able to play. This is particularly important to me as the youngest member of "The Latimer Experience", because my cousin Emile is approaching his mid 70's and is starting to experience problems and pain with his hands. So, I had brought my digital recorder with the hopes that we might actually be able to create a live CD. We were in top form! However, the recorder didn't catch the performance! I forgot a stand for it and had to tape it to a column. Unfortunately, I taped it too tight and accidentally press the "stop recording button", which turned the device off. Talk about disappointments! I was disgusted when I saw no data on my memory card.

At any rate, hopefully we will be able to all get together again next year. And this time, they'll be no slip ups!

Friday, August 7, 2009

Catching Lightning in a Bottle

For the past year and a half, I have had the pleasure of being a regular part of the line-up for blues and jazz performer Gail Storm. Whether it's with her heavy hitting quartet with monster blues guitarist Joe Vicino, or a more intimate setting with just the two of us performing for a smaller crowd, I have enjoyed EVERY minute of my time on stage with her.

During our time together we have noticed a few things.
  1. We have become very locked in to each other's playing styles
  2. People seem to really enjoy not only the music we play, but our interactions on stage
  3. Every single performance that we have done, particularly when we have the full band together, has reached our audiences in a very positive way...very much like what I see happens with my own quartet!


With those things in mind, about 2 months ago, we decided to record a 6 song CD together that we would make available for fans during our performances together. Well, we have completed the CD and I have to say that I really think we caught lightning in a bottle on this one! We simply did some of the songs that were favorites of her fans, but were also very strong songs for us. There's no cover design yet, or anything like that. In fact, we might not even professionally mass produce it, but I really think that people will enjoy it...hopefully as much as we enjoyed recording it!

Wednesday, July 22, 2009

One for the Road

For the past 4 years, I have enjoyed an extremely talented and well aquainted line up with my jazz quartet. People know my group to consist of Kenny MacKenzie on piano, Thomson Kneeland on bass, and Kyle Struve on drums. But now all of that is going to change.

Today will be a very special performance that I have to do because it will be the last one with Kenny MacKenzie being part of the quartet. In just a few days, Kenny will be moving to Florida. This was very sad news for me as I have always thought of Kenny as an indespensible incredient in the make up of the quartet...whether it be in terms of our sound, the band's chemistry, or what have you. There's no doubt in my mind that Kenny is the most musically gifted piano player I've ever had a chance to play with. His playing really reaches listeners. Not to mention, he is an incredible composer and just simply a real nice guy!

I won't be saying goodbye to Kenny though because we will still be in touch via Facebook, email, and we have even talked about possibly doing some gigs together in Florida. And then, there is my plan to fly Kenny up to do my next CD with me and the rest of the guys.

Thomson Kneeland, the bassist for my quartet, has given me a few players that I can contact to take over the piano duties. I am familiar with almost all of them and they are all great players. But somehow I don't think it will be quite the same with Kenny not on the bandstand with us. In any case, the show must go on, and I'm feeling too much momentum lately to stop now!

So, I guess that's it for this post. I'm excited about the gig today and will be sure to enjoy every minute of it. HERE'S TO KENNY MACKENZIE and one for the road!

Thursday, July 2, 2009

The African Challenge

I'm excited about a new project that I've been asked to perform in. This project consists of African music and the group will be a quartet with a guitarist (bandleader), bassist, drummer, and of course myself on saxophones.

The music, though simple in concept, has proven to be rather challenging for me because it is so different than what I'm used to playing, or even how I'm used to conceptualizing music. That having been said, I like that it is challenging me because that is how we get better at doing things. There isn't a way to rise to a challenge if we haven't had one placed before us!

Right now we are in rehearsals, but the band leader plans on having us do several "small" performances as a tune-up for a big concert performance at the Boulton Center for the Performing Arts in Bay Shore, New York. That will be followed up by a master class and performance at Amherst College in Massachusetts sometime in February of 2010.

The chemistry within the group is very good...no egos, which is always a good thing! I really think that this will prove to be both an interesting and rewarding experience. And, at the very least, it should help me be able to better perform with my cousin Emile Latimer (percussionist), who's playing style is that of West Africa.

Just one question remains in my mind though. What is the bandleader going to call the band?